LUCIEN AMÉDÉE GAILLARD (1861-1942) Goldsmith... - Lot 9 - Ader

Lot 9
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Estimation :
5000 - 8000 EUR
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Result : 14 080EUR
LUCIEN AMÉDÉE GAILLARD (1861-1942) Goldsmith... - Lot 9 - Ader
LUCIEN AMÉDÉE GAILLARD (1861-1942) Goldsmith & NATIONAL MANUFACTURER OF SÈVRES - HORACE DESIRÉ BIEUVILLE (1862-1925) DECORATORLIKE Lizard vase, 1900, the model presented at the World's Fair, Paris, 1900Baluster vase mounted and presenting a bulging annular neck on its base. Proof in porcelain stoneware; the rotating decoration enamelled in polychrome. The frame, the base and the stopper are made of bronze with a shaded brown patina and bayberry tree motifs. There is a small shelling around the neck. The ceramics marked with the date stamp of the manufacture S 1900, the base signed L. GAILLARD. Height: 28 cmExhibition : Paris 1900 Universal Exhibition - An identical model, without frame, exhibited under number 400 of the shipment of the Manufacture Nationale de Sèvres in category IV Porcelain stoneware, 3/ Decorated pieces . Museums and related works: - Museum of Fine Arts and Archaeology of Besançon - An identical model, without frame, is kept in the collections of this institution under the inventory number 2009.0.1040, deposited by the State in 1902 . - La Piscine - Musée d'Art et d'Industrie André Diligent de Roubaix - An identical model, without frame, is kept in the collections of this institution. Bibliography: - Universal Exhibition, Paris, 1900 - Catalogue of works exhibited by the State's national manufactures (Gobelins - Sèvres - Beauvais) - Central Library of Fine Arts, Paris, 1900 . An identical model, without frame, referenced under number 400 page 57. - Alastair Duncan - The Paris Salon 1895-1914 - Volume IV: Ceramics & glass - Éditions Antique Collectors' Club, Woodbridge, 1998. Identical model, unmounted, visible on a photograph, most likely taken at the 1900 Paris Universal Exhibition, reproduced on page 434. - Jean-Paul Midant - Sèvres, la manufacture au XXème siècle - Éditions Michel Aveline, Paris, 1992. Identical model without frame reproduced on page 35.
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